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VELAZQUEZ, Diego Rodriguez de Silva y
Oriental three doctor
mk237
1619
Oil on canvas
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VELAZQUEZ, Diego Rodriguez de Silva y
White horse
mk237
1634-1635
Oil on canvas
310x245cm
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VELAZQUEZ, Diego Rodriguez de Silva y
Filipu
mk237
1634-1635
Oil on canvas
305x320cm
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VELAZQUEZ, Diego Rodriguez de Silva y
Young woman
mk237
1635
Oil on canvas
98x49cm
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VELAZQUEZ, Diego Rodriguez de Silva y
Portrait of ride horse
mk237
1634-1635
Oil on canvas
302x311.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y
The Woman holding the fan
mk237
1635
oil on canvas
95x70cm
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VELAZQUEZ, Diego Rodriguez de Silva y
Detail of The Woman holding the fan
mk237
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VELAZQUEZ, Diego Rodriguez de Silva y
Prince
mk237
1635-1636
Oil on canvas
191x103cm
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VELAZQUEZ, Diego Rodriguez de Silva y
Detail of Prince
mk237
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VELAZQUEZ, Diego Rodriguez de Silva y
Sculpture
mk237
1635-1636
Oil on canvas
109x87cm
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VELAZQUEZ, Diego Rodriguez de Silva y
Prince
mk237
1936
Oil on canvas
144x96.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y
Detail of Prince
mk237
1636
Oil on canvas
144x96.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y
Bishop
mk237
1635-1638
Oil on canvas
55.8x40cm
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VELAZQUEZ, Diego Rodriguez de Silva y
Boar
mk237
1635-1637
Oil on canvas
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VELAZQUEZ, Diego Rodriguez de Silva y
Duke
mk237
1638
Oil on canvas
67x54.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y
Duke
mk23.7
1638
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VELAZQUEZ, Diego Rodriguez de Silva y
Duke of Madela
mk237
163.8
Oil on canvas
68x51cm
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VELAZQUEZ, Diego Rodriguez de Silva y
Mars Masi
mk237
1636-1640
Oil on canvas
179x95cm
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VELAZQUEZ, Diego Rodriguez de Silva y
Prince
mk237
1639
Oil on canvas
128.5x99cm
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VELAZQUEZ, Diego Rodriguez de Silva y
Duke
mk237
1624
Oil on canvas
206x106cm
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| VELAZQUEZ, Diego Rodriguez de Silva y
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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